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Anybody For Murder - Theatre Royal Review
Anybody for Murder at Nottingham Theatre Royal is a gleeful farcical murder comedy with terrific comic performances, despite a slow start and soft landing.


The Hunger - Fringe Review
The Hunger at theSpace @ Niddry Street is a gripping post-apocalyptic thriller with outstanding performances and razor-sharp writing.


Dogberry and Verges Are Scared - Fringe Review
Dogberry and Verges Are Scared is a hilarious Shakespeare spin-off at C ARTS C Aurora, blending slapstick, heart and literary wit into Fringe gold.


Blackbox - Fringe Review
Blackbox at Underbelly Cowgate tells Henry "Box" Brown's remarkable story through theatre and illusion. A powerful performance outweighs an uneven concept. ★★★☆☆


Cowards! - Fringe Review
Cowards! at C Arts C Aquila blends Shakespeare, kitchen-sink drama and metatheatre into an ambitious but uneven Fringe debut. ★★★☆☆


Waiting For Wonka - Fringe Review
Waiting for Wonka at Gilded Balloon Patter House is a hilarious and surprisingly heartfelt parody sequel that gives Roald Dahl's characters the ending they deserve. ★★★★★


The Market Deeping Model Railway Club Review - Nottingham Playhouse
William Ivory's ★★★★★ The Market Deeping Model Railway Club at Nottingham Playhouse is a funny, heartfelt new play packed with unforgettable characters and warmth.


The Sex Lives of Puppets, Nottingham Theatre Royal review.
The Sex Lives of Puppets review at Nottingham Theatre Royal – Blind Summit's hilarious, moving puppet show proves far more thoughtful than its title suggests.


The Spy Who Came In From The Cold, UK Tour, Nottingham Theatre Royal Review.
Ralf Little leads a gripping, ★★★★☆ noir-infused adaptation of John le Carré's The Spy Who Came In From The Cold at Nottingham Theatre Royal.


Sherlock Holmes: The Hunt for Moriarty - Derby Theatre Review
Sherlock Holmes: The Hunt for Moriarty review at Derby Theatre – a fast-paced, visually inventive Holmes mystery with gripping momentum.


The Resistible Rise of Arturo Ui at the RSC review
★★★☆☆ The Resistible Rise of Arturo Ui at the RSC review – Mark Gatiss leads a bold, Brechtian spectacle that impresses intellectually but struggles to fully engage.


Small Island - Nottingham Playhouse Review
Small Island Nottingham Playhouse review: a bold, emotionally charged adaptation with standout performances and urgent political resonance.


Hansard - Lace Market Theatre Review
Explore a captivating review of Hansard at Lace Market Theatre. Discover how Hansard's political drama unfolds in this Nottingham performance.


2:22 A Ghost Story - UK Tour, Nottingham Theatre Royal Review.
★★★☆☆ 2:22 A Ghost Story UK Tour review is a polished, performance-driven thriller that entertains but struggles to surprise.


Death on the Nile - UK Tour - Nottingham Theatre Royal Review.
Death on the Nile UK tour review: a visually rich Agatha Christie adaptation with strong performances, but uneven pacing and weak tension.


Inter Alia - Wyndham's Theatre Review
★★★★★ Inter Alia review at Wyndham’s Theatre. Rosamund Pike delivers a powerhouse performance in this urgent, provocative new play.


Macbeth - Derby Theatre Review
Macbeth at Derby Theatre delivers bold visuals and strong performances, but does this post-apocalyptic adaptation lose clarity and cohesion?


Road at the Royal Exchange Theatre, Manchester - Review
Road review at the Royal Exchange Theatre Manchester — a bold, immersive revival of Jim Cartwright’s modern British classic. ★★★★★


The Glad Game - Lace Market Theatre Review
★★★★★ The Glad Game is not simply a programming choice; it is an act of remembrance. Written and originally performed by Nottingham-born actor Phoebe Frances Brown, the piece chronicles her life following a diagnosis of an incurable brain tumour.


The Beekeeper of Aleppo - Nottingham Playhouse Review
★★★★★ The Beekeeper of Aleppo, at Nottingham Playhouse, tackles one of the most urgent humanitarian issues of our time through intimate, character-driven storytelling. With striking performances and thoughtful staging, this production explores trauma, resilience, and hope. But with such a vital message at its core, does the production succeed as powerful and engaging theatre, or does the gravity of its subject turn it into a message-heavy TED talk with fabulous lighting?
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