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Gentleman Jack - Nottingham Theatre Royal, Review
Northern Ballet’s Gentleman Jack at Nottingham's Theatre Royal is a stylish, sensual four-star ballet led by bold choreography and a magnetic central performance.


Frankie Goes To Bollywood - Derby Theatre, Review
★★★★☆ Frankie Goes to Bollywood review at Derby Theatre. Dazzling choreography, camp spectacle, and a bold Bollywood musical with heart. Four Stars!


Flyology, Union Theatre, Southwark - Review
Flyology at the Union Theatre is a bold, funny feminist musical with a thrilling score and standout performances. Read our 5-star review.


Sherlock Holmes: The Hunt for Moriarty - Derby Theatre Review
Sherlock Holmes: The Hunt for Moriarty review at Derby Theatre – a fast-paced, visually inventive Holmes mystery with gripping momentum.


The Resistible Rise of Arturo Ui at the RSC review
★★★☆☆ The Resistible Rise of Arturo Ui at the RSC review – Mark Gatiss leads a bold, Brechtian spectacle that impresses intellectually but struggles to fully engage.


Small Island - Nottingham Playhouse Review
Small Island Nottingham Playhouse review: a bold, emotionally charged adaptation with standout performances and urgent political resonance.


Priscilla Queen of the Desert - Nottingham Theatre Royal, Tour Review
Priscilla Queen of the Desert at Nottingham Theatre Royal dazzles with spectacle, standout performances, and camp energy in this 4-star review.


Hansard - Lace Market Theatre Review
Explore a captivating review of Hansard at Lace Market Theatre. Discover how Hansard's political drama unfolds in this Nottingham performance.


2:22 A Ghost Story - UK Tour, Nottingham Theatre Royal Review.
★★★☆☆ 2:22 A Ghost Story UK Tour review is a polished, performance-driven thriller that entertains but struggles to surprise.


Austentatious Tour - Nottingham Playhouse Review
★★★☆☆ Austentatious at Nottingham Playhouse delivers sharp improv, big laughs, and chaotic charm. A witty, four-star Austen parody review.


The Wedding Singer - Long Eaton Operatic Society Review
The Wedding Singer at Long Eaton Operatic Society shines with heart, humour, and energy in this joyful 2026 production. Read our full review.


Avenue Q - West End Revival Reveiw
★★★☆☆ Avenue Q returns to the West End in a bold 20th anniversary revival. Read our in-depth review of this modernised puppet musical.


Death on the Nile - UK Tour - Nottingham Theatre Royal Review.
Death on the Nile UK tour review: a visually rich Agatha Christie adaptation with strong performances, but uneven pacing and weak tension.


Kiss of the Spider Woman - Curve Theatre, Review
Kiss of the Spider Woman at Curve delivers a gripping, five-star revival with phenomenal performances and haunting storytelling.


Macbeth - Derby Theatre Review
Macbeth at Derby Theatre delivers bold visuals and strong performances, but does this post-apocalyptic adaptation lose clarity and cohesion?


The Unlikely Pilgrimage of Harold Fry - Theatre Royal Haymarket Review
★★★☆☆ The Unlikely Pilgrimage of Harold Fry in the West End is heartfelt and moving, but struggles with scale and structure.


Apple of Discord - Chronic Insanity Review
Apple of Discord at The People’s Hall is a thrilling immersive Greek myth experience. A bold promenade production by Chronic Insanity.


Henry V at The Royal Shakespeare - Review
Henry V at the Royal Shakespeare Theatre is visually striking but dramatically unfocused. Read our full two-star review.


Miss Saigon, Theatre Royal Nottingham - Review.
Miss Saigon UK Tour in Nottingham review: a visually stunning revival with powerful performances, but does it feel dated for modern audiences?


Hamlet RSC 2026 Tour - Review
There’s something undeniably interesting about watching the Royal Shakespeare Company take on Hamlet with a concept this bold. Director Rupert Goold relocates the entire play onto the deck of the Titanic, a literal ship of state heading straight towards inevitable disaster. It’s a striking idea, no doubt about it. But as the evening unfolds, you can’t help but wonder… is this a stroke of theatrical genius, or are we starting to overthink how to stage Shakespeare?
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