★★★★★ The Beekeeper of Aleppo, at Nottingham Playhouse, tackles one of the most urgent humanitarian issues of our time through intimate, character-driven storytelling. With striking performances and thoughtful staging, this production explores trauma, resilience, and hope. But with such a vital message at its core, does the production succeed as powerful and engaging theatre, or does the gravity of its subject turn it into a message-heavy TED talk with fabulous lighting?

★★★★★ There are some productions that remind you why theatre exists at all, not simply as entertainment, but as a deeply human act of shared storytelling. Lace Market Theatre’s production of Things I Know To Be True is exactly that kind of experience.

Tom Holloway’s stage adaptation of Double Indemnity brings James M. Cain’s crime novella out of the shadows and onto the stage, transporting audiences into a world of deception and ambition. With a bold visual style that nods to Billy Wilder’s legendary film while striving to forge its own theatrical identity, the production embraces the aesthetics of film noir.

★★★★★ Just when you think Mischief Theatre have scraped every last inch of material from the amateur dramatics barrel, they come bounding back with another festive offering in their ever-expanding Goes Wrong universe.